image of women is as old as her collaboration with Eve, it was first dreamed of Adam as his counterpart, a generally accepted doctrine of religion. In a social context, his image has always existed between all cultures and societies directly from the Paleolithic, with the passage of time, which was the modern way of living the life of cybercrime excavated.
He wanted life has never been without a full picture of the woman, but in how he, are, with few exceptions of a fewHoly See and the relations of social boundaries. image of women has grown primarily through the image of a man then, not surprisingly, at one point it was considered sacred and divine goddess or god is in the utmost privacy, while unlike some bore the title of witch, bitch and sinners forever.
Their representation in various stages of human history traveled to explain the power and intelligence in the pyramids of Egypt as Hatshepsut (c.1503-1482 BC)Cleopatra (c.69-30 BC), the same dignity that seemed popular in Southeast Asia, the second of the powerful god Shiva. He left two of the bloodiest battles in human history and the Trojans Kurukshatre after the abduction of Sita and Helen, a common phenomenon in two different mythologies.
Greek and Hindu mythology is painted "her" colors accompanying divine grace, while the share of religions "their" responsibility to expulsion from the paradise of peace to a temptationApple or a grain of wheat.
The woman was there, breathing in the Vedas, Puranas, Upanishads, and Gospels, carved in and out of rock. Lustful hands of the craftsmen of all time, slipped on the curves and contours of her body when she was in the cage slate, sandstone or marble, or their point of view enriches the color of passion a surface can be moved in search of eternity. We have seen, from time immemorial, which extended his photo on psychological andto justify the concrete images of the artist canvas.
Other than male artists, women artists were among the admirers of female beauty. Frida Kahlo, Alice Neel and Sylvia Sleigh surrounding the sex of the brush, and after the second half of the 20th century in the West, while to the east, we were able to find innovative names like Amrita Shergil Zubeda Agha conceptual and contemporary paintings, as they learned and transmitted to the West.
In 1939, AnnaMolka Ahmed, a painter of the United Kingdom, the Department of Fine Arts, University of Punjab, where the institution of countries around painters TLE SS woman who has given the country were before the birth of Pakistan 1947. Zubeda Agha was another name which introduced modern art in Pakistan.
Zubeda Javed Mussarat Hameed, Nagi Jale, Salima Hashmi, Tanvir Rehman, some names in the third quarter last decade of the twentieth century the art of bridgePakistan.
Sumera Jawad is a modern painter, with a portrait of the late 20th century was obsessed, but has developed extensively with the law in the first 21 years.
In an exhibition at the CUU evil plot, a painter who has expressed the power of imagination and perception of the babble of virtual life.
Under the title "the image of women and" The Painter Sumera Jawad has experienced the bitter pain of discoveryReality buried long ago. He dug with the brush, the story was buried by the revelation of 'image' of women by their visual language, the myth, legends and literary figures are considered the most powerful women creep scratched and scratched lines thin and thick layers paints and printing inks.
The painter has dragged the women from various ancient cultures, regardless of the location and time of the Indus to Celtic goddesses naked girl, Sumerahas a value of individuality and strength of character of women exposed to the company image before the modern contemporary woman, represented by painting his own image in the frame, a source of inspiration, you could treat because of the great French painter Cezanne .
Sumerian, known for his portraits, the physical representation of women into the future, has become a genre that has received a record secular coup in genetics. SinceNow it is beautiful, like many aspects of women on display in the corridors of the past could be seen exploring. The basic theme that runs through their work, the biblical concept of original sin, is depicted as an apple of discord on the screen, very impressive.
We can observe a subtle contrast of light and darkness, poured into the frame lines, straight and circular movements of the figures. Their lines are neither believed nor free flowing, the GreatSadequain Chughtai and were recognizable and could be named as follows: "exhumation and excavation. As has been shown to represent the social status of their size at the right time in the history of the Ambassador of colors to choose from Mesolithic and Neolithic with beautiful metallic tones.
In other words, they say, their work is an indication of antiquity and reflection can. Extravagant shows dark, rustic and buried black tones of the elements, the dark colorsVanishing Point bronze gray and black, dark, and again to tell the story of mental and emotional journey of some, the artist has learned during the process of dividing the fields of his visual language of an image.
Speaking of the composition of the female body is at the center of the frame Sumerian, but not as a source of pleasure, as always projected by male artists. He also used the curves and lines of women, the screen of their character, but at the same time, these attitudes, the power balance secularMyths like goddesses imposing deference paid by their respective owners.
Composition of their images is often clogged and narrow, not to let the audience paint. He made his characters very instinctive and natural, how to decide where to place brush or intentions of the brain, has introduced the Expressionist approach, ambiguity on the faces of the characters makes them dressed in images and not for the public identifiedlike.
One of his paintings depicts very attractive to the greek myth of Pygmalion, a legendary figure found in Ovid's Metamorphoses. Pygmalion is a sculptor in love with a statue of him. Offers the statue presents and eventually prays Venus, the goddess of love, took pity on him and he brings the statue to life. Venus is the name "Galatea" of the statue.
As the painter is now in research, it seems that any image of his work, presenting the latest CharectersMyths and crossed in relation to women, and this adds to the understanding of "woman" image "of the old era and contemprary images of the same painter.
Coming this exhibition was Minhas Art Gallery, Government College, Lahore, Dr Shahid Manzoor is the coordinator, the University College of Art & Design, University of Punjab Lahore inaughurated.
By
EMMA ALAM
